The procession at Wilsden Gala 1971 only attracted two decorated floats on lorries, although there were other vehicles and some walking tableaux. It occurred to some members that it might encourage others to join in next year and also generate publicity for the society if WVS entered its own float in next year’s Harden Gala.
1972 was the year of the great Tutankhamen exhibition at the British Museum and this was the inspiration for the most incredibly ambitious project. A long flatbed lorry was given sand and sea coloured sides, with Wilsden Village Society written in mock hieroglyphics. A pavilion and throne were built at the cab end to house Trevor Maltas as the young Pharoah. A mast and furled sail and a long rudder transformed the whole into a royal barge. A bevy of handmaidens, impressive semi-clad guards and even the jackal-headed god Anubis completed his crew. The costumes were magnificent, flowing white robes for the girls, much scantier coverings for the men, gold helmets, elaborate headdresses, great blue and gold jewelled collars and sashes, papyrus fans, all home made under the direction of Anne Lloyd from nothing more exotic than cardboard, paint, paperclips, glue and midget gem sweets. The handmaids were Counc. Emily Hall, Anne Lloyd, Sylvia Partridge, Lilian Howarth, Susan Pitchers and Kate Drake, the men Michael Lloyd, Gordon Bastow, Peter Booth and Marcus Catling, the god Tony Partridge. The float won a well deserved first prize at Harden Gala. The team decided all that work merited another outing and took it to Eldwick Gala the following month. Here they came second to Bingley Round Table’s Moon Buggy. This would have been a perfectly acceptable result had not one of the judges told them they could not have first prize because they had so obviously hired their costumes, an injustice that caused some indignation among the painters and gluers.